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By the 18th century, the violin had greatly risen in the estimation
of the public.  No longer were its players considered "rogues and sturdy
vagabonds".  Tutors for the instrument were in great demand, and the
virtuosi were much admired and sought after.

from v.d.Straeten p. 64

Bishop Earle's description, as contained in Hawkins' History of Music gives a fair
idea of the social position of the professional violinist of that time: "A poor 
fiddler is a man and fiddle out of case, and in worse case than his fiddle.  One
that rubs two sticks together (as the Indians strike fire), and rubs a poor living
out of it; partly from this, and partly from your charity, which is more in the 
hearing than giving him, for he sells nothing dearer than to be gone.  He is just
so many strings above a beggar, though he have but two; and yet he begs too, only
not in the downright for God's sake, but with a shrugging God bless you, and his
face is more pin'd than the blind man's.  Hunger is the greatest pain he takeS,
except a brokan head sometimas, and the lAbouring John Dory.  Otherwise his life
is so many fits of mirth and 'tis some mirth to see him.  A eood deast shall draw 
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